is between music's temporally unfolding dynamic structure and configurations of human behaviour associated with the expression of emotion." Associations between musical features and emotion differ among individuals.Appearance emotionalism claims many listeners' perceiving associations constitutes the expressiveness of music.
Within the factors affecting emotional expression in music, tempo is typically regarded as the most important, but a number of other factors, such as mode, loudness, and melody, also influence the emotional valence of the piece.
Some studies find that perception of basic emotional features are a cultural universal, though people can more easily perceive emotion, and perceive more nuanced emotion, in music from their own culture.
Further research on psychophysiological measures pertaining to music were conducted and found similar results; musical structures of rhythmic articulation, accentuation, and tempo were found to correlate strongly with physiological measures, the measured used here included heart rate and respiratory monitors that correlated with self-report questionnaires.
Music also affects socially-relevant memories, specifically memories produced by nostalgic musical excerpts (e.g., music from a significant time period in one’s life, like music listened to on road trips).
Music's expressiveness is certainly response-dependent, i.e. The philosopher Jenefer Robinson assumes the existence of a mutual dependence between cognition and elicitation in her description of 'emotions as process, music as process' theory (or 'process' theory).
Saving Private Ryan Essay Year 10 - Can Music Affect Your Mood Essay
Robinson argues that the process of emotional elicitation begins with an 'automatic, immediate response that initiates motor and autonomic activity and prepares us for possible action' causing a process of cognition that may enable listeners to 'name' the felt emotion.The performer state is the interpretation, motivation, and stage presence of the performer.These different factors influence expressed emotion at different magnitudes, and their effects are compounded by one another.Which musical features are more commonly associated with which emotions is part of music psychology.Davies claims that expressiveness is an objective property of music and not subjective in the sense of being projected into the music by the listener. Skilled listeners very similarly attribute emotional expressiveness to a certain piece of music, thereby indicating according to Davies (2006) that the expressiveness of music is somewhat objective because if the music lacked expressiveness, then no expression could be projected into it as a reaction to the music.Musical structures are more strongly interpreted in certain areas of the brain when the music evokes nostalgia.The interior frontal gyrus, substantia nigra, cerebellum, and insula were all identified to have a stronger correlation with nostalgic music than not.Music has a direct connection to emotional states present in human beings.Different musical structures have been found to have a relationship with physiological responses.This series of events continually exchanges with new, incoming information.Robinson argues that emotions may transform into one another, causing blends, conflicts, and ambiguities that make impede describing with one word the emotional state that one experiences at any given moment; instead, inner feelings are better thought of as the products of multiple emotional 'streams'.