Saul Bellow’s Seize the Day is one of the most deeply sad novels to be written since Tender is the Night. during the seven hours or so that comprise the action of the novel. and in such profound wretchedness that one can barely conceive of his traveling on. his characteristic self-loathing falls off and he even feels within himself the powers of a Jesus. what truly entreaties to him about going an histrion is that he believes that in this manner he can be a lover to the whole universe. The fresh clears with Wilhelm’s coming down in an lift from the 23rd floor of the Hotel Gloriana in New York City to the first balcony to hold breakfast with his male parent. Then the smooth door opened and the great dark red uneven rug that covered the anteroom billowed toward Wilhelm’s pess.
all the problems that constitute the present status of Wilhelm Adler descend upon him and oppress him. The sense of a cosmopolitan spirit that unites and blesses all world has late come to him as he is walking through a dark tunnel beneath Times Square: A general love for all these imperfect and lurid-looking people burst out in Wilhelm’s chest.
and in one beautiful simile Bellow links Wilhelm’s self-destructiveness with these images of submerging: Like a ball in the breaker.
He sees him as symbolic of ill humanity and offers to mend him.
he has told Wilhelm that his married woman committed self-destruction.
he tells Wilhelm slightly subsequently in the novel: Nature merely knows one thing.
the existent concern to transport his curious load. to savor those quenched cryings the lone of import concern. Possibly the devising of errors expressed the really intent of his life and the kernel of his being here. but what difference did that do if he was united with them by this blazing of love? That Bellow is in the tradition of the great English Romantic poets Wordsworth in peculiar in this regard has been brightly argued by Irvin Stock in . Those few who refuse to abandon the life of the psyche. Such devastation can merely impact the Pretender psyche. but dramatizes for us the workings of a elusive and profound originative imaginativeness. it intensifies our understanding for Wilhelm’s status. we are continually made cognizant that we are witnessing the strugglings of a drowning adult male and we want to see him deliver. Once the dry construction of the novel has been seen. this same image maps to convey us to an apprehension of Bellow’s existent subject the self-contradictory life by submerging. Merely after one has felt the full force of the image at the terminal can one travel back and see where it lay. For one minute he heard the wings crushing strongly.
May I ne’er live to travel through another like it. he received a suggestion from some distant component in his ideas that the concern of life. on this twenty-four hours of thinking he remembers this experience and thinks. That’s the right hint and may make me the most good. non merely as revealed in this novel but throughout his authorship. Kill or be killed is its jurisprudence and that of material life. They are non even aware that their psyches have died in the procedure. unable to contend against what appears to them to be the jurisprudence of nature. That Bellow should utilize H2O imagination more to the full to render his subject is appropriate sing that H2O and the emotional life have been linked since antediluvian times and peculiarly so within the English Romantic tradition. non merely reveals to us the greater significance of inside informations we might otherwise go through over. but because of the book’s dry construction it is an image that maps in two ways. and on each rereading on the surface of our experience. unable to breath ; so eventually the suppressed cryings rise to overrun his face ; and so the sense of peace and the dreamy motion of the floating organic structure toward its concluding resting topographic point. and in the bluish air Wilhelm saw a pigeon about to illume on the great concatenation that supported the pavilion of the film house straight underneath the anteroom.
since there were deepnesss in Wilhelm non unsuspected by himself. Although such feelings ne’er last long and are normally fled from instead than welcomed. that makes possible the birth of Wilhelm’s psyche at the terminal of the novel. the clearest indicant that the action of Seize the Day is dry is found in Bellow’s attitude toward man’s emotional nature. is the attention he has taken to weave his imagination into so much of the novel. Our apprehension of how Bellow utilizations H2O imagination non merely underlines for us his thematic purpose. takes on the glow of the symbol ; and like other great symbolist accomplishments. The image of the drowning Wilhelm is the commanding one.
Wilhelm does non emerge triumphantly out of his problems ; but the really sufferings they cause him hold brought his psyche into being: Wilhelm’s Pretender psyche has died. Marcus Klein has pointed out that At the minute of decease. He curses himself for holding fought with his male parent: But at the same clip. more specifically this demand to love and be loved. a technique that gives a peculiar sort of enjoyable strength that is non found in novels that employ other methods.