Rebecca Clarke Essays On A Life In Music

Rebecca Clarke Essays On A Life In Music-89
The Rebecca Clarke Society was established in 2000 to promote the study and performance of her music.She began her studies at the Royal Academy of Music in 1903, but was withdrawn by her father in 1905 after teacher Percy Hilder Miles proposed to her (he later left her his Stradivarius violin in his will).

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The piece shows off the impressionistic musical language Clarke had developed, modeled on the music of Claude Debussy and Ralph Vaughan Williams, that is also apparent in her Viola Sonata.

The harmonies are ethereal and otherworldly; the title is the name of a Greek god, who was especially associated with sleep and dreams.

Clarke attained virtuoso status, and her undisputable gifts as a violist account for her output of superb music for the instrument. Elizabeth Sprague Coolidge invited Rebecca Clarke to enter a piece in her annual composition competition. The judging panel was split down the middle, and when the tie was broken, Ernest Bloch was announced the winner.

However, Rebecca Clarke's sonata had captured the attention of the judges, who were shocked to learn that their second choice was a young unknown composer—and a woman, no less!

Happily, Oxford University Press is now working to provide new and future releases of Clarke's music in published form in addition to those carried by Boosey & Hawkes.

Rebecca Clarke Essays On A Life In Music Sample Problem Solving In Math

when Clarke was pursuing a performing career in the United States.By continuing to use this site, you consent to the use of cookies.We use cookies to offer you a better experience, personalize content, tailor advertising, provide social media features, and better understand the use of our services.Despite Clarke's insecurities, the piece survives—in two versions—into the modern day, and is an integral part of the violist's repertoire. Rebecca Clarke (27 August 1886 – 13 October 1979) was an English classical composer and violist best known for her chamber music featuring the viola.Clarke died at her home in New York at the age of 93.Although Clarke's output was not large, her work was recognised for its compositional skill and artistic power.This act helped to sever their relationship completely and permanently, and in 1910 she left home, channeling her frustration with her family life into her composing.Left on her own from this point, she supported herself with a burgeoning career as a violist.She was born in Harrow and studied at the Royal Academy of Music and Royal College of Music in London, later becoming one of the first female professional orchestral players.Stranded in the United States at the outbreak of World War II, she settled permanently in New York City and married composer and pianist James Friskin in 1944.


Comments Rebecca Clarke Essays On A Life In Music

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